“Once more into the breach, dear friends,” Prince Hal exclaims during the iconic monologue in Shakespeare’s history-come-tragedy about the petulant England royal’s quest for domination. But as the strapping and commanding Kit Harington hovers above the stage at the Donmar Warehouse in modern army fatigues preparing his troops for battle, that aforementioned “breach” feels all too close to home in Max Webster’s eerily relevant production. The play opens with a single chorus member, played ably by...
