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Add Tim Walker to those London critics (Nicholas de Jongh, Lloyd Evans, and Sheridan Morley are just a few of the others over the years) to swell the ranks of poacher-turned-gamekeeper. By that, I am referencing Walker’s about-face here as a playwright when he is better known as a longtime journalist and critic, at the moment for The New European. His play, Bloody Difficult Women, takes the approach taken some years ago by Schiller’s masterpiece Mary Stuart in opposing two real-life female...